8:2
8:2
Gareth had worked for along time towards this moment. He’d suffered remorse and feeling of rejection, he’d argued with himself and with those that he loved and risked the relationships that his life was founded upon.
And so he sat in a pleasant cafe, drinking in the cool breeze and warm sunshine. He at with a friend that he was begin to care for very much and knowledge that in the end his parents had done the right thing. He sat having accomplished a goal that had haunted and driven him for many months yet had somehow failed to consume him. He sat triumphant.
And so Gareth learned the lesson that we all must learn again and again. To win is not in itself a source of satisfaction. To win is only a fleeting state of being that brings nothing. The triumph, the joy, the exhilaration are not inherent in the win. To feel those, you must have chosen correctly before the success, because if the choices are wrong, if the choices are merely consequences themselves, then the ending, win or lose, will teach us the flavour of ash. A pyrrhic victory can lead to only one, inevitable result.
And staring down at the package, on that beautiful day, surrounded by hope and joy and love, Gareth tasted the dry cold coals of a victory ill conceived.
8:1
8:1
It changed everything and changed nothing. The mere existence, the actuality of it, the overwhelmingly realness meant that nothing could ever be the same. The reality shift had occurred and could never, ever be erased.
And yet nothing had changed. Planets orbited, children starved needlessly in wastelands while their neighbours nodded their heads. Young girls discovered love and old men counted their regrets like a miser counts his gold. The season slowly shifted, the morning was alive with sound and sun, and the birds started to get restless, eager to move on but not knowing why.
There were tasks to be performed and jobs to be done, just like yesterday; yet it was all so … different. And that difference was what it was all about. Or rather, the difference that the difference made. Everyone reacts differently to change and everyone is afraid of the unknown. Some revel in their fear and drink in the elixir from their adrenal glands, but many, even most, see it as a bizarre illness or an uncontrollable affliction that shreds their sanity simply by the fact of its existence.
Knowing things have irrevocable changed is often the reward for curiosity. And knowing it existed, changed it again.
7:31
Squirrel.
And that’s all I have to say about that …
7:30
7:30
Jakob’s Notebook. It was all there: the dreams, the schemes and all the details. Jakob kept the notebook meticulously. He rarely went a day without an entry in a fine, elegant hand; always written in ink and the pages, as Shakespeare’s were said to be, without blot. There’s no hesitation, no additions or deletions; the notes and thoughts were set out uniformly, accurately to the best of his ability and without thought to posterity or readers of any stripe.
Jakob’s notebook was the history of the universe, the universe that Jakob inhabited, ruled over and was sole arbiter and dispenser of justice for. It held his judgements and detailed his triumphs; it was a study of secrets and the bible of all things that had existed. It did not, however, venture into what would be. The future was for Jakob to decide, its outcomes to be recorded within the pages; but the future was not to be trifled with.
Jakob was not superstitious. To be superstitious one would have to accept a power outside of oneself. Jakob merely knew that while a future had not yet arrived, it could still be twisted and shaped by Jakob himself. Thus to attempt to presage or predict any outcomes would lead to a loss of control. And a loss of control was not allowed in Jakob’s reality.
Thus the notebook was a record of what was and though Jakob — and now Haid — worshipped its contents, he never made the mistake of allowing access to the notebook to any but his servant. But the notebook was more than a record. It was a map, a guidebook, a treasure house of knowledge; the notebook was the only thing that was of Jakob that existed outside Jakob.
And in the end, it was all that remained of Jakob.
7:29
7:29
Beginnings are never easy. They aren’t pretty or charming or sweet. Beginnings are messy, chaotic and always treading on the razor fine edge of disastrous.
We like to think that that’s not true, to fool ourselves by rewriting our own histories to make the starting points glorious or beautiful or simply charming. But that’s what’s easy about beginnings: rewriting them. Looking back and saying in a sappy little voice “Oh my goodness, that was so easy, I have no idea why I didn’t do that earlier…” And it’s completely natural. No woman would bear another child if that beginning was really that fraught, no love affairs would spring up if the insecurities and fear were the lasting impression.
We never forget, but we remember our beginnings differently. And we see others fits and starts through the black lenses of a welders helmet: protected from the pain and soul-burning glare and thus able to judge the merit and quality of the new thing without scars.
But not all beginnings can be rewritten. Not all scars can be whisked away or masked by the medicinal properties of time. Sometimes the pain never goes away. Sometimes it is impossible to forget.
7:28
7:28
I remember the rain, the sound of it hitting the ground, the feel of it running down the back of my neck. I remember thinking that this was the bottom. I had hit the bottom. There was nothing or no one fucking lower. I remember the cold, and the icy wind, and the look on his face.
And that’s how I knew I was lost; because I wasn’t afraid. I was so utterly lost that I couldn’t even feel fear. And I knew is held be afraid. Anyone…any thing, would have been afraid of lie behind the sneer. But I wasn’t. I was just lost.
7:27
A Song for Time
And the note begins before the music
And the music never ends
I’ve loved the music in your voice
And your gentle sounds of silence
I’ve dreamed of the whispers and sighs
Of your lonely lows and gleeful highs
Oh the note begins before the music
And the music never ends
When I close my eyes and listen hard
The melody flows through my mind
Of gentle touches, graceful brushes
The quiet rush of my heart songs trills
Oh the note begins before the music
And the music never ends
And though my ears won’t hear the music
The music never ends
7:26
7:26
No, he hadn’t asked for it, but now that it was there, he might as well use it. Using things was really what Jakob did best.
First things first. It needs a name: a label. Hard to dish out orders if no one is listening. And you can’t guarantee they’ll be listening unless you take matters into your own hands. So. A name, a label, a title as it were. Several options twisted silently across Jakob’s tongue until one dripped off the tip. Shithead. Short, to the point, and useful as a reminder. Haid for public consumption; something to twist the blade and yet offer some small bit of hope.
Hope was also something Jacob understood. He had never encountered it; in fact, hope mostly felt it a mythological creature always spoken of in hushed tones, but never quite there, never quite real. But hope was the whip that drove his will over what obstacles the universe tried to throw in his face. Hope was the dream that could be used, crushed and then used again. Hope was an unending source of power to those who used it and an unquenchable source of weakness and espalier to those who would be used by it.
And hope is what would serve best to break this new beast of burden. A thorn bridle with velvet ties: unending pain with just enough softness to inspire an imaginary surcease.
Haid. It was done.
7:25
7:25
The Past
Jakob had not asked for an heir. He neither wanted nor could tolerate children. He asked for no son, desired no ward; he wanted no children, no students, no lover, no companion, no wife, no sister or brother, no parents, friends, cousins relatives of any sort. Jakob desired nothing from anyone. Jakob wanted to be left alone, and in the normal course of events that was a situation he was well capable of creating without aid or interference from the greater world.
For Jakob knew beyond any doubt that he was alone in a hostile place and nothing, not anyone, existed with any ability to change that. Not even Jakob himself could twist reality to accomplish that particular miracle.
And Jakob was a master at twisting reality. Because Jacob knew beyond any doubt he was alone, it followed that his reality must therefore subsume any other. And if it didn’t, well, there were things that could be done if one was determined or ruthless enough. The moon and stars revolved around Jakob’s whims, and he dedicated his unending struggle to keeping it so. And he always — always — won.
But in one small, tiny instance, in one unexpected and unforeseen turn, Jakob was forced to wrestle his reality to accommodate … a change. Jakob had not asked for an heir and he desired no student; but Jakob was going to make sure that this … anomaly … would be turned to the greater good of Jakob.
Because that’s the only thing that truly was real in the world that Jakob endured.
7:24
7:24
Hickory dickory dock
My eyes can’t stand the shock
The clock flowed down
Its face a frown
And exclaimed quite loudly
What the fuck?
Higgledy piggledy math
No victims escape its wrath
It all added up
No murmurs of s’up
We were so deep in it
We had to laugh
Hippity hoppity boo
There remains but one thing to do
If we flee for our souls
We might escape the coals
Before any of the hunters
Manage to