3:3

3:3

The street ran east-west. Descending the hill, the street was the west side’s most prominent feature. At this point in its route it had entered an older part of of town with old stone buildings worn by time and displaying that gritty grey colour that comes with decade of grime and exhaust. On either side the views were blocked by 5- and 6-storey tenements, some bearing a sordid appearance from years of neglect and lack of care, and others showing a more elegant face to the street, with touches of colour and signs of recent work.

More significant were the front doors of the buildings. Those that housed the rising middle class, the more recent immigrants to this old neighbourhood, had portal-ways of gleaming brass and worn but well oiled dark woods with neatly printed numbers on cards by the buzzer. There was even the occasional doorman in his somber uniform, always under a canvas canopy bearing a stately name as if to guarantee the building a more prestigious place amongst its fellows.

The older-looking, more worn buildings bore names too. But they were etched in the sandstone above the doors’ archways, often defaced or covered over by some later alteration. No doorman or covering adorned these entrances; instead they were distinguished by the multiple coats of peeling paint often producing a motley, shabby look. Such doors reminded passersby of the cracked and worn skin of man whose entire life had been exposed to the elements. The metal work was often missing, leaving gaping holes and cracks in the facade, and any glass had long since been replaced by bits and scraps of wood and plastic. Here and there one of the doorways would display signs of long past work, half-hearted attempts to halt or overcome the harsh markings left by time’s passage. But the door was always a reflection of the spirit of the building; it could not escape its legacy and could not avoid its fate. If the spirit of the building had not changed, if the destiny of its occupants had not evolved from their basic struggles to survive, then any attempts at beautification remained nothing more than a dispirited plastering of cheap makeup, doomed to smear quickly, leaving behind a mockery of the beauty it sought to create.

That was the neighbourhood that the man stood in. A place of transition and inequality. A segment of the whole that was neither here nor there, and not soon likely to find its place. Yet most of this remained unnoticed. It was the nature of the people on this block of the city that the man was most aware of. It was the pressure of their existence that pushed upon his senses. And he would not turn away from them; he would make no attempt to shut them out.

 

3:2

3:2

A man stood on the corner of 17th and 9th; not back against the building nor in the shadow of the boulevard trees, but right on the corner, his bare toes hanging off the edge of the curb like a surfer’s riding the crest of the perfect wave, perfectly in balance, poised in the moment. He swayed gently to an internal rhythm, making no move to step back nor step forward onto the street, and he stared out, eyes absorbing everything but looking at nothing but his own soul. The frenetic movement of the city’s cars and trucks going about their day’s business buffeted him in their wakes but he swayed and bent without staggering or moving off his spot.

The man watched and waited as the sun slowly moved the shadows across his view.

 

3:1

Duty and obligation are two different things. Duty is that which you believe you must do for the betterment of the society you are participating in; obligation is a personal debt between two or more parties. Many feel that the ideas are synonymous, yet they draw internal distinctions based on the nature of the burden; this distinction leads to a sense of arbitrariness where a clear delineation actually exists.

Gareth believed he had a duty to his family, but he actually had no obligation to his father as an individual. He had long ago stopped making an effort in that direction: he owed the man nothing; all debts incurred by right of being his progenitor had long ago been replayed. But family was bigger than the individuals, and relationships between members always affected the whole no matter how one might wish otherwise. This was the conclusion Gareth had come to during his months living on his own and he’d now set his foot on a path that, after a lot of self-reflection and not a little staring at the beaver curled up under the lemon tree, he believed was his duty.

And family was just a gene thing. Gareth’s family had always included a wide range of people outside his bloodline. “And apparently now includes someone outside my species,” he mused to himself.

Gareth turned to Rowan, smiled and said, “Family is weird, you know.”

“I do. I really do. Remind me to tell you about my Aunt Beth one time. And her parrots.”

“Parrots? Pah! Large rodents beat birds any day of the week.” Gareth paused, and then continued, “Thanks, eh. Really, I mean it. I just, well, I needed someone there more than I thought, and I’m glad it was you.”

Rowan tilted her head back and said to the dingy brown roof of the cab, “Y’all are welcome. T’was nothing, really.” She took a long slow breath and turned to study Gareth’s profile as he stared out the window. “It really was my pleasure.” she said so softly that the sound was lost in the low rumble of the taxi.

“So, a beaver, huh? Guess y’all could think of it as an insurance policy. Pelts gotta be worth sumthin’ in a pinch,” she said with an evil chuckle and rubbed her hands together in her best sinister man style.

Despite the obvious joke Gareth found himself shocked at the suggestion. “But … he … oh.” Gareth allowed the ridiculousness of the suggestion to bring a giggle to his lips and retorted, “Hell, you don’t sell something like that, you make a hat out of it. That’s where the money is. A big one like a coonskin hat with the big-ass tail hanging done the back. Fashion-forward, baby. It’ll be all the rage at the clubs.”

Rowan could see the hysteria lurking in Gareth’s eyes and mimed turning the beaver tail hat around and lifted it up to play peak-a-boo with the imaginary appendage. “And this here’s a piece of tail you can play with in public and not get your ass arrested.”

Gareth snorted. “And … and … you can bury your face in …” The rest of the sentence disappeared as laughter took over. Within seconds he and Rowan had dissolved into a teary mass of snorts, giggles and body-wracking laughter that had the cab driver staring into his rear-view mirror with a glare of consternation.

It wasn’t funny. It wasn’t even particularly dirty. But it was what Gareth needed, and Rowan was more than caught up enough in the emotion of the day that she was swept along in the crashing waves of mirth and hysteria.

 

2:28

2:28

The beaver looked Edward in the eye and said, “We’ve had this conversation before. I realize that now. What makes you think this one will end any different than any of the others?”

“Ah, so you think this rising awareness of the past puts you in a position of power somehow. Do not fool yourself or waste my time. Truth is such a subjective thing and you do not, cannot, grasp the reality that lies behind the thin and brittle enamel you have naively tried to cover it with. I am here to learn a few things, reinforce a few perhaps forgotten rules, and deliver what Gareth would euphemistically refer to as an ’attitude adjustment.’ You, my aquatic friend, will, answer my questions, and then sit there and listen to your lessons. Then we shall decide how this ’conversation’ will end.”

The air in the room seemed to grow denser as Edward delivered his message to the beaver and he found himself shrinking down into the cushions ever so slightly. Edward noticed and dipped his ears forward before proceeding.

“Now, to the matter of Barney. You have been interfering again. It went unnoticed this long due to your admittedly clever obfuscations and my lack of recognition of who I was dealing with, but that is done now and we shall proceed with repairing whatever rents you may have made in the fabric.”

Edward paused.

“Now, tell me where Barney is and what, precisely, you did. And try to keep the lies to a minimum. I don’t have time for your typical nonsense.”

 

2:27

2:27

“Barney,” Meredith called from the kitchen. “Dinner’s on the table. And the buns are just out of the oven.”

Baking was the one thing that Meredith had loved doing with her mother. Most times she was more inclined to be out in the fields or tinkering in the shop with her father, but when there was dough to be kneaded or bread to be baked, Meredith would generally doff her covies and clean up enough to be allowed to join her mother in the big kitchen.

Dough was the first skill she had ever had that had been elevated to the status of art form. She was handy enough with a paintbrush, had sketched many an idea on paper and could manage a half-ways decent shirt or pajama bottom on the old Singer. But it was in flour and water rolled out on the counter that she discovered the difference between skill and passion. What her mother did with bread had been the most mouthwatering form of art that Meredith had ever encountered, and she had striven to master the craft and exemplify the art. She used her mother’s old proportions and expanded upon them to create undeniable masterpieces of the baker’s art. It was a rare old curmudgeon that could resist praising Meredith’s oven-warm offerings, and even Barney was not enough of a misanthrope that he could resist expressing a real joy at the experience of biting into one of Meredith’s rolls slathered in butter.

It was, in fact, one of the very few true expressions of anything that Barney had ever allowed himself. That way ran failure and Barney would not allow himself to be beaten. But the bread, the buns, the pastries, these could not be feared. They could only be worshipped appropriately and then consumed for the benefit of Barney.

“I’ll be right down…”

2:26

2:26

The beaver, for all his apparent youth, had a long memory. He remembered the bison, he remembered a time without horses, he remembered the river smaller and faster, carving out its present valley with all the unbridled energy of youth, and he remembered the mountains when they were younger and wilder and full of things not seen today. And the beaver remembered the lodge and the murky water and sun-warmed mud. The taste of the new growth on trembling aspens in the spring, the joy of chasing silver-sided minnows in the shallows and the satisfaction of giving in to those irrepressible urges to build and create and construct.

The beaver remembered a lot of things and yet he remembered nothing clearly, and he often wondered what it must be like to be one of those whose memories are full of details. Tiny incidents, names, texture, tones and the plethora of images that paint the clear picture others claim to hold in their heads. The beaver’s internal galleries were abstract: powerful, intense and full of emotion but void of precision, awash in colour and emptied of the clutter of specifics.

But despite all that, the beaver remembered. He remembered the bunny, if that’s what he wanted to call himself, and he remembered Barney.

It was unlikely he would ever forget Barney.

2:25

2:25

The 351 was a peculiar engine. Ford had made several versions of it in ’70s and saddled each with a geographic designation that did little to enlighten the consumer, less to excite the car fanatics and nothing at all for the marketing team who were struggling with losing sales of the Mustang to the more muscle-bound Pontiac Firebird and Dodge Charger. Barney had a 351 Windsor in his 1972 Cougar and had always daydreamed it was the heftier 429 Cobrajet. The 370-horsepower engine in the one he had test driven at that car show had sent shivers up his spine as he’d opened up the 4 barrels and accelerated down the highway. Barney wasn’t necessarily a car snob; he just wanted the biggest and the best. To crush all the puny and pointless competitors until they were the mere remnants of road kill left to slowly fry on the hot asphalt. And frankly, Ford had made a big mistake with with the 351 nonsense. They should have learned with the confusion surrounding the Hemi and stuck with simpler, customer friendly nomenclature. People, as Barney well knew, were stupid.

Speaking of which, the cream Cougar was currently on its way back to the farm where someone was about to get their comeuppance. It might be Meredith’s car for the moment, but that, and a few other things about this stupid relationship, were about to change. Finally.

 

2:24

It’s over. There was no note, no missive from beyond. I am sober and bereft.

I must escape this room. I have been too long in its confines and forgotten too much of my fellow man. This machine, these works, they have become my life. And so I drink and forget to dream. Yet these missives have awoken something I thought long dead or untouchable. I should not let it once again slip my grasp; if I hold on to even a sliver of the dream, then these walls can no longer hold me. I can once again join that realm where man walks under the sun and interacts with his god’s universe. This is what I must do. This is what I shall do.

But perhaps a drink for courage. A moment to reflect. A pause for the reawakening and a sip to celebrate, and then we shall move forward and learn once again to live.

But what’s that noise? No. NO! That infernal noise calls me back to its clutches; it beckons me like an airy siren from hell. A slave. And I must obey: it is duty and the price laid upon my existence. So I shall have another drink and another, and perhaps dream my dreams in a crystal glass filled with the amber water of life, of the only life that remains to me. But I shall dream.

Dream …

2:23 We’ve Got to Be a Part of It


Ah, my head. I must see about stocking another brandy. This one seems so… coarse. Perhaps some biscuits or another glass. But of the good stuff, yes another glass and we shall check the post.

Breakfast. Then we pack up and drop off our bags. We have until 2:45 to amuse ourselves and then it’s home-home time. We wander out, into the rain, and immediately write off the Empire State Building. The Brooklyn Bridge and Battery Park also get tossed; thank goodness, we wouldn’t want to actually see a sight, would we.

So we hop an uptown train and get off on 5th Avenue and wander into my MoMA… I mean the MoMA. The line up is huge and we waffle a bit; but this is New York: they know how to move people.

I said hello to some old friends and met some new ones. I do like the MoMA. Munch’s The Scream was there on loan from a private collection and there were a few new pieces we hadn’t seen or that weren’t on display since our last visit.

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On the 5th floor was a special exhibit, The Birth of Abstractionism, which started off with a blast of Kandinskys and moved on from there. Leslie was pleased with her three Georgia O’Keefes, but she’s got a dirty mind. Not as dirty as C’s but dirty nonetheless. On that note we discovered we can’t be breezy. Devil may care, footloose, even flexible, but without C breezy just ain’t in the cards.

We hit the later moderns in a whirlwind to try and keep the schedule but still took in a few fun objets d’art. But soon enough we had to run.

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Homeward bound, we stopped for some street food. I had a couple of chicken kabobs and Leslie opted for Italian sausage. We headed for the subway and all the while Leslie was wrestling with the sausage.

There was a bit of a wait for the train but we made it back to Leo House for 2:39, 6 minutes to spare. Of course as we were walking in the door, everyone else it seems was running with luggage away from us down the street. A bit disconcerting. Turns out the early birds were catching the first van but we were safe for the next.

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A quick wash of our hands and we grabbed our baggage and were out in the rain to find our van. Our driver was a bit slower, and it took forever to get off the island. We did, however, take the 59th Street bridge, so that was groovy.

One of the things we noticed on the long long drive is that many of the billboards were empty. One billboard even said “The Loss of This Billboard Costs Jobs and Tax Revenue.” There must be an issue?

We checked in a million hours early even so and cleared security pretty quick. Their X-ray machine was a lot like the full-body scanners, but I checked out the image and it was simply a 2D image that pinpointed areas the TSA guys should check. More efficient if a bit less comfortable for the passenger than the typical walk through x-ray.

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And then we wait at Gate C34 until it’s time to board for Toronto. With no free wifi.

Landing in Toronto 10 minutes early we disembark and scoot to catch our connector. There was much to-ing and fro-ing as we cleared customs and security and boarded our Edmonton-bound plane and our adventure was essentially over.

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2:22 Cloistered Away

I must confess I had a drink. Well, maybe two. Or perhaps several more than that. The ‘experimental guitar festival’ proved too much to comprehend. Who are these people?!? What have they done to the proper New York? I cannot understand yet know I must try.

Good morning. Shower, breakfast (which included a thick raisin bread with caraway…weird) and a quick chat and it seems we are off on the A Train to the north tip of the island. The Metropolitan Museum has an out station called the Cloisters, which houses its medieval collection.

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It was built in the 1930s specifically to house these artifacts. A sculptor toured Europe and acquired lots of stone work and sculpture, even an entire apse, to incorporate into the building. Leslie has tainted me enough with her Marxist claptrap that I have been regularly referring to the ‘stolen’ nature of all the archways and frescos that are more naturally situated in the south of France and Spain whence they were ‘acquired’.

Beautiful nonetheless.

Some of the doorways and vaults are reconstructed from fragments rescued after they had been sacked or destroyed during various European conflicts, some as late as the Spanish Civil War in 1936. I guess I approve of that. That is, if anyone cares for my approval.

I saw a great description of the transition from Romanesque to Gothic and while I didn’t learn any new facts I had a few new mini-epiphanies about walls and decor. Of course stained glass arose as a result of the new vaults and buttresses; they didn’t need the walls for support so why stick with frescos when you could kill two birds with one stone?

There are some tremendous tapestries here from the 15th and 16th centuries. Huge pieces that were once 21 x 16′ wall coverings but have since been cut down into curtains; they’re still huge, though.

Downstairs is a collection of prayer books dating from the 1200s: stunning.

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At 2:43 Leslie strong-armed me onto the M4 to take the bus back into town. Well after a grueling hour of plebeian transit, we finally disembarked at the Met around 3:55. It didn’t kill me. Quite.

Next up, since our Cloisters tickets are good at the Met, is to try and finish it off. It’s open until 9 tonight so if our feet can take we might finally win this one. First up a pretzel and chicken gyro (which is New York for donair) from a street vendor. Next stop: musical instruments.

So of course we stopped in European art to ogle the Rembrandts and Vermeers. Then we wandered through the musical section and learned about diatomic and chromatic instruments. Harpsichords, pianofortes, bagpipes and violins; they wouldn’t let me play the Strad. Then it was back to Europe and more masters from Gainsborough to Fragonard.

Wow. There are a lot of them: Botticelli, Dürer, Jacometto, Titian, Raphael, why the list is endless. And my feet are very tired.

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After the Caravaggio we cried hold, enough and bailed on the European painters. A spin through printmaking and a bit of Spanish art and decor and I dragged my tired ass to East Asian art. Buddha and Vishnu in a million incarnations; I’d love to do it again when I wasn’t tired.

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We finished off with Japan and saw a 11th-century silk scroll and some spectacular watercolours of birds. After that we both decided to call it quits. It was 7:45 and we were hungry. In honour of our last sight of the Met we opted for Japanese.

Back on the M4 bus as far as Penn Station and onto the blue line back to Chelsea where there is a nice Japanese place a couple of doors down from the Leo House.

Yes there is a lovely, very full Japanese place right next to the Leo House. So we bailed and hit the diner on the corner where Leslie will indulge in a Cornish game hen and I will brave the Pizza Burger Deluxe.

It was good. And we slept.