7:5 Beavers and Tail

Who the hell came up with the stupid beaver euphemism? It doesn’t even make sense. I mean, what is it, the fur? I can’t tell how many bad jokes and sly winks I have to put up with on any given day.

And the tail thing? No that one really has me confused. Just what is it with you Homos? Some sort of grass is greener thing? Figure if you talk tail then maybe you can get in on the party?

Anyway, back to the beaver issue. I had to look it up one day, it was getting to me so much. Did you know that a 1927 limerick is one of the earliest written references to the association of beaver to the pudenda?

There was a young lady named Eva
Who went to the ball as Godiva,
But a change in the lights,
Showed a tear in her tights,
And a low fellow present yelled “Beaver”

And then I found this little tidbit:

“In colonial times it was thought that prostitutes spread veneral diseases through contact with their pubic area, so the women were made “bald” in that area for health reasons. However, their clients did not like that look and business began to suffer. Therefore, pubic wigs, called merkins, were manufactured for the prostitutes. These merkins were made out of beaver pelts. Hence the term beaver. Learned this on a historical tour of Philadelphia.”

Man, it’s stuff like that that makes me glad I’m a beaver or anything else that isn’t one of you Homo sapiens.

—excerpt from The Beaver Monologues; published 2013

7.6.1

7:6.1

Morning is a time for reflection. At least it is for those lucky souls who have brain function in the morning. The beaver felt it really was a time for reflecting on why reflection generally had more refraction-type qualities if it happened before 10 a.m.

But, trying not to make light of it, the only thoughts the beaver had this early morning were ones that involved sleep and a little peace and quiet. Instead, he was forced to sit in this stupid cafe waiting for Gareth to clear out and let him get on with it all.

Worse, he was forced to listen to the insipid chatter of this weird long-haired twit as he loudly recalled his recent trip on a sailboat. As if anyone, including the poor girls sitting with him, even cared.

People, the beaver thought, not for the first time, are often too stupid to live.

 

7:20

7:20

Ohmyfuckinggodwillthisguynevershutup! Some people drone on and on with no care in the world. It’s pathetic really.

The beaver turned to glance up at the apartment window with its faded green trim and dingey brick, and felt a moment of whimsical longing. It had been a long wait, but now the waiting was over. Barring any more stupid rabbit moves, he should have this thing wrapped up in a couple of hours. And then maybe he could concentrate on some payback. He really had no idea who was behind the whole ’let’s stick some critters in a a box and take ’em for a ride’ fiasco, but he was going to have some spare time on his hands right away and it was time to see whether The Beaver still had it.

 

7:22

7:22
Ah, intermission. Or … Well, what do they call it in books? An interruptus? Interlingua? Intertexuality? Maybe a caesura … no, that just sounds awful. Narrative delay? No, that’s just pretentious and annoying. Let’s see, how about … yes … a Dramatic Pause!

So, shall we pause dramatically? Shall we interrupt the flow of narrative once more and examine our reasons for this grand project? Shall we recap and review, retake and reconsider? Shall we? Shall we?

Ah, such is the role and glory of the narrator: to create such moments and gather the collective breaths of readers one and all in the palm of my hand and to slowly, so slowly, allow them to exhale; to breathe at my will for the very soul of the story’s flow, for the fleeting, momentary, exquisite pleasure that comes from a well-paced narrative. Yes, such is the great burden that I bear for the sake of you, my readers.

And I remember. I too was once a mere reader, caught up in the web of some author’s whim. I too experienced the rhapsody of intricate pacing and methodically played-out moments. I remember and thus I bring to you all the joy and wonder that is in my grasp to give, and I bid you take in my tale and experience the sweetness of the wind that I evoke from the plain and simple words before you.

Breathe!

7:23

7:23
So. Shall we inhale … breathe out … and go on …?

But what of the missing story? What of the parts that exist between the narratives? What of the stories yet untold?

Shall we not delve into these spaces, into the moments between inhalation and exhalation? Because what lies between is often the key to what is to come.

But no. These interstitial spaces shall remain untouched for now; let them reveal themselves in the currents and flows of the existing stories. The pattern will reveal itself in the weave.

What is important is the power behind the story: the engine that drives forth the narrative. And that, dear reader, is the past. What comes before of necessity shapes and forms what will be. Let us the look back and see the beginnings of our tale. Let us peer into the past and reveal the cauldron that has spit forth the life of our story. Yes, let us.

7:24

7:24

Hickory dickory dock
My eyes can’t stand the shock
The clock flowed down
Its face a frown

And exclaimed quite loudly
What the fuck?

Higgledy piggledy math
No victims escape its wrath
It all added up
No murmurs of s’up

We were so deep in it
We had to laugh

Hippity hoppity boo
There remains but one thing to do
If we flee for our souls
We might escape the coals

Before any of the hunters
Manage to

7:25

7:25

The Past
Jakob had not asked for an heir. He neither wanted nor could tolerate children. He asked for no son, desired no ward; he wanted no children, no students, no lover, no companion, no wife, no sister or brother, no parents, friends, cousins relatives of any sort. Jakob desired nothing from anyone. Jakob wanted to be left alone, and in the normal course of events that was a situation he was well capable of creating without aid or interference from the greater world.

For Jakob knew beyond any doubt that he was alone in a hostile place and nothing, not anyone, existed with any ability to change that. Not even Jakob himself could twist reality to accomplish that particular miracle.

And Jakob was a master at twisting reality. Because Jacob knew beyond any doubt he was alone, it followed that his reality must therefore subsume any other. And if it didn’t, well, there were things that could be done if one was determined or ruthless enough. The moon and stars revolved around Jakob’s whims, and he dedicated his unending struggle to keeping it so. And he always — always — won.

But in one small, tiny instance, in one unexpected and unforeseen turn, Jakob was forced to wrestle his reality to accommodate … a change. Jakob had not asked for an heir and he desired no student; but Jakob was going to make sure that this … anomaly … would be turned to the greater good of Jakob.

Because that’s the only thing that truly was real in the world that Jakob endured.

 

7:26

7:26

No, he hadn’t asked for it, but now that it was there, he might as well use it. Using things was really what Jakob did best.

First things first. It needs a name: a label. Hard to dish out orders if no one is listening. And you can’t guarantee they’ll be listening unless you take matters into your own hands. So. A name, a label, a title as it were. Several options twisted silently across Jakob’s tongue until one dripped off the tip. Shithead. Short, to the point, and useful as a reminder. Haid for public consumption; something to twist the blade and yet offer some small bit of hope.

Hope was also something Jacob understood. He had never encountered it; in fact, hope mostly felt it a mythological creature always spoken of in hushed tones, but never quite there, never quite real. But hope was the whip that drove his will over what obstacles the universe tried to throw in his face. Hope was the dream that could be used, crushed and then used again. Hope was an unending source of power to those who used it and an unquenchable source of weakness and espalier to those who would be used by it.

And hope is what would serve best to break this new beast of burden. A thorn bridle with velvet ties: unending pain with just enough softness to inspire an imaginary surcease.

Haid. It was done.

7:27

A Song for Time

And the note begins before the music
And the music never ends

I’ve loved the music in your voice
And your gentle sounds of silence

I’ve dreamed of the whispers and sighs
Of your lonely lows and gleeful highs

Oh the note begins before the music
And the music never ends

When I close my eyes and listen hard
The melody flows through my mind

Of gentle touches, graceful brushes
The quiet rush of my heart songs trills

Oh the note begins before the music
And the music never ends
And though my ears won’t hear the music
The music never ends

7:28

7:28
I remember the rain, the sound of it hitting the ground, the feel of it running down the back of my neck. I remember thinking that this was the bottom. I had hit the bottom. There was nothing or no one fucking lower. I remember the cold, and the icy wind, and the look on his face.

And that’s how I knew I was lost; because I wasn’t afraid. I was so utterly lost that I couldn’t even feel fear. And I knew is held be afraid. Anyone…any thing, would have been afraid of lie behind the sneer. But I wasn’t. I was just lost.